{"product_id":"eduardo-araujo-silvinha-sou-filho-desse-chao-vinyl-lp","title":"Eduardo Araújo \u0026 Silvinha – Sou Filho Dêsse Chão, Vinyl LP","description":"\u003ch2 class=\"MdRemovedH1\"\u003eEduardo Araújo \u0026amp; Silvinha – Sou Filho Dêsse Chão, Vinyl LP\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBrazil is a treasure trove of inspirational music from the past, present, and future. Here we head back to 1976 for a one-of-a-kind kaleidoscopic journey, melding Brazilian regional rhythms with funk, rock, soul, and psychedelia by the married couple Eduardo Araújo and Silvinha. A cult classic and beloved record for some of the scene’s biggest DJs including Floating Points, it was further immortalised when Madlib sampled ‘Opanigê’ for his track ‘São Paulo’.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSingers Eduardo Araújo and Silvinha Araújo had successful careers in Brazil beginning in the 1960s. Eduardo broke through with the rock-infused Jovem Guarda hit ‘O Bom’. Stepping into more soulful territory, Eduardo released ‘A Onda É Boogaloo’ in 1969, produced by a young Tim Maia and followed it up with a number of other notable releases. Also part of the Jovem Guarda movement, Silvinha recorded a string of excellent albums and numerous 7” compactos for Odeon and RCA.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 1976, the duo set forth the landmark underground album Sou Filho Dêsse Chão, complete with its eye-catching psychedelic cover art by Gustavo Matula and Jan Matula. The album featured a heavyweight line up of musicians, including accordionist supreme\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eDominguinhos, the drummer Dirceu Medeiros, who played on the first Os Mutantes album, and members of the esteemed bands Banda Black Rio and Som Nosso.\u003cbr\u003e\u003cbr\u003eSou Filho Dêsse Chão was inspired by the pair's travels to Salvador, Bahia. Eduardo was influenced by the Brazilian culture of the region and wanted to incorporate and capture the sounds of capoeira, Forró, and candomblé into the album. Here we have the traditional African-Brazilian culture of Northern Brazil fusing with the contemporary commercial music of Rio and São Paulo’s Tropicalia, MPB, psych-rock, and Black Rio movements. Uniting the cultures, Eduardo and Silvinha managed to combine these genres seamlessly.\u003cbr\u003e\u003cbr\u003eIt's an album full of highlights, with the Tim Maia-esque funk of ‘O Tempo Que Esse Tempo Tem’ laced with its rock tones, sitting side by side with the accordion-driven ‘Sou Filho Desse Chão’ and rolling groove of ‘Manda Embora A Tristeza’. Elsewhere the elegant trippy psych-funk of ‘Capoeira’ sees Eduardo and Silvinha effortlessly trading vocal duties. The record would also reach a new audience outside of Brazil when one of the standout tracks, the highly original spacey ‘Opanigê’, was sampled by Madlib for his track ‘São Paulo’.\u003cbr\u003e\u003cbr\u003eEven though on release it was not a commercial success, Sou Filho Dêsse Chão has since found its place as an iconic and treasured LP.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ctable class=\"tracklist_ZdQ0I\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"trackPos_n8vad\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003eA1\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"artist_VsG56\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_loyWF\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_loyWF\"\u003eSou Filho Desse Chão\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"trackPos_n8vad\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003eA2\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"artist_VsG56\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_loyWF\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_loyWF\"\u003eCírculo Vicioso\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"trackPos_n8vad\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003eA3\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"artist_VsG56\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_loyWF\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_loyWF\"\u003eGirassol\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"trackPos_n8vad\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003eA4\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"artist_VsG56\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_loyWF\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_loyWF\"\u003eCapoeira\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"trackPos_n8vad\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003eA5\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"artist_VsG56\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_loyWF\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_loyWF\"\u003eO Tempo Que Esse Tempo Tem\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelXSmall css-144m4pk\"\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"trackPos_n8vad\"\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003eB1\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"artist_VsG56\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitle_loyWF\"\u003e\n\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_loyWF\"\u003eManda Embora A Tristeza\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"MuiTypography-root 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Records","version":"1.0","type":"link"}